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Madonna of Humility
Madonna of Humility
Date:
1375/1400
Artist:
Bolognese Italian
About this artwork
Status
Currently Off View
Department
Painting and Sculpture of Europe
Artist
Carlo da Camerino
Championship
Madonna of Humility
Place
Italia (Object made in)
Date
1375–1400
Medium
Tempera on console
Inscriptions
ave maria gr[at]ia (around outer edge of panel), salvage regina vergene maria [gratia] plena (effectually mandorla), VERGENE MATRE [...] GLO (on the Virgin's halo), DEV Human being R (on Kid's halo), salve regina (on scrolls supporting repeated pelican motif on Virgin'due south robe).
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"Famous Art Works Exhibited in Clubhouse," Fine art in the Union League Club of Chicago: Spousal relationship League Club Message (January 1929), p. seven, ill.
Pantheon 3 (1929), pp. 102, ill, 104.
Daniel Catton Rich, "Two Trecento Venetian Panels," Art Institute of Chicago Bulletin 24, 7 (1930), pp. 88–89, encompass ill.
The University of Chicago, The Renaissance Society, Catalogue of a Loan Exhibition of Religious Art from the Quaternary Century to the Present Time (1930), no. 33.
The University of Chicago, The Renaissance Club, Anniversary Message (Autumn – Winter 1930), encompass ill.
Lionello Venturi, Pitture italiane in America (Milan, 1931), pl. CIV.
William Suida, review of Pitture italiane in America past L. Venturi, in Belvedere 10 (1931), p. 191, pl. 104.
Millard Meiss, "The Madonna of Humility," Fine art Bulletin xviii (1936), p. 441, northward. 23; reprinted in Millard Meiss, Painting in Florence and Siena afterwards the Black Death (Princeton, 1951), p. 137 n. twenty.
"The Christmas Story in Art," Art Plant of Chicago Bulletin 32, 7 (1938), p. 105.
Daniel Catton Rich, Catalogue of the Charles H. and Mary F. Due south. Worcester Collection of Paintings, Sculpture, and Drawings (Chicago, 1938), pp. 8, six, no. ii, pl. II.
Luigi Coletti, I primitivi: I padani, vol. iii (Novara, 1947), pp. XXXIV–XXXVI, LXXIII, pl. 66.
"The Magnificent Worcester Gift," Art Institute of Chicago Message 42 (1948), p. 5, ill.
Luigi Coletti, "Sulla Mostra della Pittura Bolognese del Trecento: Con una Coda Polemica," Emporium 112 (1950), pp. 252–54.
William Suida, "Some Bolognese Trecento Paintings in America," Critica d'arte ix, one (1950), p. 58, fig. 62.
Pietro Toesca, Il trecento (Turin, 1951), p. 751 n. 276.
Dorothy C. Shorr, The Christ Child in Devotional Images in Italy during the XIV Century (New York, 1954), pp. 61, 65, fig. 9.
The Art Establish of Chicago, Paintings in The Fine art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), p. 225.
Hans Huth, "Italienische Kunstwerke im Art Institute von Chicago, United states of america," in Miscellanea Bibliothecae Hertzianae (Munich, 1961), p. 516, fig. 380.
Ferdinando Bologna, I Pittori alla Corte Angioina di Napoli, 1266–1414, e united nations Riesame dell'arte nell'età Fidericiana (Rome, 1969), pp. 348–349, pl. Viii-19, fig. xviii.
Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Public Collections (Cambridge, Massachusetts, 1972), pp. 216, 346, 571.
Isle. Hecht, "Madonna of Humility," Art Institute of Chicago Message seventy (1976), pp. x–13, fig. two.
Christopher Lloyd, Italian Paintings before 1600 in the Art Establish of Chicago: A Catalogue of the Collection (Chicago, 1993), pp. 34–37, ill.
Carl Brandon Strehlke, book review of "Italian Paintings earlier 1600 in the Fine art Establish of Chicago. A Catalogue of the Collection," Burlington Magazine 136 (1994), pp. 625–26, sick, equally Carlo da Camerino.
Mojír Due south. Frinta, Punched Decoration on Tardily Medieval Panel and Miniature Painting, (Prague, 1998), pp. 132, 212, no. Fd49, as Genoese(?) and Camarinese (Carlo da Camerino(?)).
Alessandro Marchi, "Olivuccio di Ciccarello," in Pittori a Camerino nel Quattrocento, Andrea De Marchi, ed., (Milan, 2002), pp. 104, 120, 132–33, no. six, ill, as Olivuccio di Ciccarello.
Francesca Pasut, in The Alana Drove: Newark, Delaware, Usa, Italian Paintings from the 13th to 15th Century, Miklós Boskovits et al., vol. i (Florence, 2009), pp. 154, 156, n. 4, as Olivuccio di Ciccarello.
Chicago, The Wedlock League Lodge, 1928 (no true cat.).
The Academy of Chicago, The Renaissance Order, Religious Art from the Fourth Century to the Present Time, 1930, no. 33, equally Jacobello di Bonomo.
The Art Found of Chicago, A Century of Progress, 1933, no. 86, as Jacobello di Bonomo (?).
The Art Constitute of Chicago, The Christmas Story in Art, 1938–39 (no true cat.).
Count Ambroz-Migazzy, Sarvar, Hungary [co-ordinate to Daniel Catton Rich, Catalogue of the Charles H. and Mary F. Due south. Worcester Drove of Paintings, Sculpture, and Drawings, 1938]. Eastward. and A. Silberman Galleries, New York [according to receipt dated Nov 21, 1928, in curatorial files]; Sold by Silberman to Charles H. Worcester, Chicago, 1928, [according to receipt dated November 21, 1928, in curatorial files]; given to the Fine art Institute, 1947.
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